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DTSTART;TZID=America/Detroit:20230610T190000
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SUMMARY:From Bohemia's Woods & Groves
DESCRIPTION:Prepare to be captivated by the enchanting melodies and virtuosic performances at our summer-opening concert! Taking place at the historic John M. Hall Auditorium in Bay View\, this musical extravaganza promises an unforgettable evening of classical brilliance. \nAt the heart of the concert is the spellbinding performance of Samuel Barber‘s timeless masterpiece\, the Violin Concerto\, delivered by the award-winning virtuoso\, Dylana Jenson (the first American woman to win the Tchaikovsky International competition). Composed in 1939\, Barber’s concerto encompasses three breathtaking movements. The first two movements overflow with lyrical beauty and irresistible melodies\, drawing listeners into a world of unparalleled emotion. Yet\, it is the grand finale that sets hearts racing\, as the music races forward with unyielding intensity. With every note\, the solo violin dances in perpetual motion\, navigating intricate rhythmic complexities and astonishing virtuosity. \nIn addition to Barber’s masterwork\, the concert embraces the Bohemian spirit through Antonín Dvořák‘s magnificent Symphony No. 8. Written in the key of G major\, this symphony exudes a genial and uplifting atmosphere\, captivating audiences from the first note. However\, upon closer examination\, one discovers the hidden allure of the minor-key passages woven seamlessly throughout the major-key composition. The Eighth Symphony\, heralded for its innovation\, marked a departure from Dvořák’s previous works. The composer sought to craft a musical experience that was distinctly individual and pioneering. By infusing his adoration for the Czech countryside into the symphony\, Dvořák created a unique sonic landscape. Nature comes alive within the music\, as the haunting calls of hunting horns and the melodies of birdsongs emerge from various wind instruments. Hanz-Hubert Schönzeler\, Dvořák’s biographer\, once remarked “When one walks in those forests surrounding Dvořák’s country home on a sunny summer’s day\, with the birds singing and the leaves of trees rustling in a gentle breeze\, one can virtually hear the music.” \nUnder the masterful guidance of GLCO’s esteemed Maestro Libor Ondras\, the Great Lakes Chamber Orchestra is set to transport you on a remarkable musical journey. Be prepared to be whisked away into the depths of Bohemia’s woods and groves\, where each note resonates with beauty\, passion\, and the very essence of nature itself. This concert promises to be an extraordinary celebration of the boundless power of music. \nLearn more about Dylana Jenson\, featured violin soloist\, here. \nGET TICKETS
URL:https://glcorchestra.org/concert/bohemia/
LOCATION:John M. Hall Auditorium\, Bay View
CATEGORIES:Classical Music,Concerts,Fundraiser
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DTEND;TZID=America/Detroit:20220604T210000
DTSTAMP:20260430T143656
CREATED:20210611T141326Z
LAST-MODIFIED:20220302T170337Z
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SUMMARY:Beethoven Symphony No. 9 Concert
DESCRIPTION:Always a popular concert\, Beethoven’s 9th Symphony is sure to be a crowd favorite\, according to Great Lakes Chamber Orchestra Music Director Libor Ondras. \nAccording to Ondras\, the famous pianissimo opening — 16 measures with no secure sense of key or rhythm – does not so much depict the journey from darkness to light\, or from chaos to order\, as the birth of sound itself. \n“There’s something astonishing about a deaf composer choosing to open a symphony with music that reveals\, like no other music before it\, the very essence of sound emerging from silence\,” Ondras explained. “This symphony shows Beethoven using all the subtlety and mastery of his craft\, a breakthrough work— music’s first crossover composition. It’s also likely that in the text he picked for the symphony’s finale— Schiller’s hymn to universal brotherhood—Beethoven found the sense of community he craved as a comfort against personal loss and loneliness.” \n  \nAccording to Ondras\, Beethoven’s grandest symphony and most influential composition was premiered in the concert on May 7\, 1824. By 1824\, Beethoven was almost completely deaf. He had long given up performing on piano in public\, withdrawing completely from social life of Viennese society. When\, in one of the most famous accounts in all music\, the audience burst into applause (some say it was at the end of the scherzo; others at the end of the symphony) Beethoven couldn’t hear the ovation. He stood\, his back to the crowd\, leafing through his score. Only when the contralto soloist\, Carolyn Unger\, tapped him on the shoulder and turned him around did he see his public applauding wildly. \n  \nThe work surpassed everything Beethoven already accomplished in the field of the symphony. With his 9th he was determined to move mankind as never before. For several years after Beethoven’s death\, his 9th Symphony was considered too difficult to perform. It was not established in the repertory until the middle of the 19th century\, and from then on\, Beethoven’s Ninth Symphony has maintained its singular status as a cultural symbol of unsurpassed importance.
URL:https://glcorchestra.org/concert/beethoven-symphony-no-9/
LOCATION:John M. Hall Auditorium\, Bay View
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://glcorchestra.org/wp-content/uploads/2021/06/beethoven_symph_9-e1631553697262.jpg
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DTSTART;TZID=America/Detroit:20210605T190000
DTEND;TZID=America/Detroit:20210605T210000
DTSTAMP:20260430T143656
CREATED:20201228T184910Z
LAST-MODIFIED:20210526T193925Z
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SUMMARY:Americana
DESCRIPTION:JunePoster \nThis season marks the 20th Anniversary of the GLCO. With a nod to the past and a look to the future\, this performance features a wide representation of American composers\, including American classics\, Copland and Gershwin; young African American composers\, Jessie Montgomery and Tre Bryant; established contemporary American composers\, Gwyneth Walker (GLCO composer in residence) and Kenji Bunch; and local composers/arrangers\, Anthony Patterson and Roger Tallman. The performance also includes a collaboration with Gerber Strings students and presents the 2019 Young Artist Competition winner\, Helen Hanchin (flute). \nProgram: \nGwyneth Walker – Overture to Great Lakes Cantata \nKenji Bunch – Tango Morendo for Chamber Orchestra \n\nGershwin – Rhapsody in Blue (arr. By Anthony Patterson)\n\nIntermission \nTre Bryant – Quarantainment overture (World premiere) \nRoger Tallman – Conflicted (World Premiere) \nW.A. Mozart – Concerto for flute and orchestra in D major K.314 (1st movement) \nFeaturing GLCO’s Young Artist 2020 competition winner \nAaron Copland – Appalachian Spring \nJessie Montgomery – Banner for Chamber Orchestra \nThe GLCO is a regional professional orchestra providing live orchestral concerts that entertain\, educate and inspire.
URL:https://glcorchestra.org/concert/americana/
LOCATION:John M. Hall Auditorium\, Bay View
ATTACH;FMTTYPE=application/pdf:https://glcorchestra.org/wp-content/uploads/2020/12/GLCO_20thAnniversary.pdf
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