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DTSTART;TZID=America/Detroit:20230610T190000
DTEND;TZID=America/Detroit:20230610T203000
DTSTAMP:20260609T142531
CREATED:20220610T154017Z
LAST-MODIFIED:20230601T161742Z
UID:10000127-1686423600-1686429000@glcorchestra.org
SUMMARY:From Bohemia's Woods & Groves
DESCRIPTION:Prepare to be captivated by the enchanting melodies and virtuosic performances at our summer-opening concert! Taking place at the historic John M. Hall Auditorium in Bay View\, this musical extravaganza promises an unforgettable evening of classical brilliance. \nAt the heart of the concert is the spellbinding performance of Samuel Barber‘s timeless masterpiece\, the Violin Concerto\, delivered by the award-winning virtuoso\, Dylana Jenson (the first American woman to win the Tchaikovsky International competition). Composed in 1939\, Barber’s concerto encompasses three breathtaking movements. The first two movements overflow with lyrical beauty and irresistible melodies\, drawing listeners into a world of unparalleled emotion. Yet\, it is the grand finale that sets hearts racing\, as the music races forward with unyielding intensity. With every note\, the solo violin dances in perpetual motion\, navigating intricate rhythmic complexities and astonishing virtuosity. \nIn addition to Barber’s masterwork\, the concert embraces the Bohemian spirit through Antonín Dvořák‘s magnificent Symphony No. 8. Written in the key of G major\, this symphony exudes a genial and uplifting atmosphere\, captivating audiences from the first note. However\, upon closer examination\, one discovers the hidden allure of the minor-key passages woven seamlessly throughout the major-key composition. The Eighth Symphony\, heralded for its innovation\, marked a departure from Dvořák’s previous works. The composer sought to craft a musical experience that was distinctly individual and pioneering. By infusing his adoration for the Czech countryside into the symphony\, Dvořák created a unique sonic landscape. Nature comes alive within the music\, as the haunting calls of hunting horns and the melodies of birdsongs emerge from various wind instruments. Hanz-Hubert Schönzeler\, Dvořák’s biographer\, once remarked “When one walks in those forests surrounding Dvořák’s country home on a sunny summer’s day\, with the birds singing and the leaves of trees rustling in a gentle breeze\, one can virtually hear the music.” \nUnder the masterful guidance of GLCO’s esteemed Maestro Libor Ondras\, the Great Lakes Chamber Orchestra is set to transport you on a remarkable musical journey. Be prepared to be whisked away into the depths of Bohemia’s woods and groves\, where each note resonates with beauty\, passion\, and the very essence of nature itself. This concert promises to be an extraordinary celebration of the boundless power of music. \nLearn more about Dylana Jenson\, featured violin soloist\, here. \nGET TICKETS
URL:https://glcorchestra.org/concert/bohemia/
LOCATION:John M. Hall Auditorium\, Bay View
CATEGORIES:Classical Music,Concerts,Fundraiser
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230521T160000
DTEND;TZID=America/Detroit:20230521T170000
DTSTAMP:20260609T142531
CREATED:20230509T144201Z
LAST-MODIFIED:20230509T145057Z
UID:10000069-1684684800-1684688400@glcorchestra.org
SUMMARY:Sunday Series: The Hummel Trio
DESCRIPTION:Great Lakes Chamber Orchestra presents The Hummel Trio with Maestro Libor Ondras\, as the finale to this season’s Sunday Series. The program will include works by César Franck\, Ludwig van Beethoven\, and Johann Hummel.  The trio includes Dr. Libor Ondras\, violin\, viola; Emily Grabinski Conklin\, piano; and Andrew Laven\, cello. The Hummel Trio is also the ensemble-in-residence at Grand Rapids Community College. \n  \nSunday’s performance will include: \n\nCésar Franck (1822-1890)\n\n\nSonata in A major for violin and Piano\nAllegretto Moderato\, Allegro\, Moderato\, Allegretto\n\nL.v. Beethoven (1770-1827) \n\nSonata for Cello and Piano No. 4 in C major\nAndante-Allegro vivace\, Allegro-Andante-Allegro\n\n                                                 \nJohann Hummel (1778-1837) \n\nPiano Trio Op.65 in G major\nAllegro con spirito\, Andante grazioso\, Rondo\nVivace assai e scherzando\n\n\n\nGenerous support for the Sunday Series is provided by Carolyn Klender.
URL:https://glcorchestra.org/concert/sunday-series-the-hummel-trio-2/
LOCATION:First Presbyterian Church\, Harbor Springs
CATEGORIES:Classical Music,Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230429T190000
DTEND;TZID=America/Detroit:20230429T203000
DTSTAMP:20260609T142531
CREATED:20220610T153643Z
LAST-MODIFIED:20230329T163742Z
UID:10000126-1682794800-1682800200@glcorchestra.org
SUMMARY:Terra Nostra
DESCRIPTION:Celebrate the beauty of our earth and the Great Lakes with this concert dedicated to the natural wonders of our world. \nGET TICKETS\n  \nWe begin with an homage to indigenous/American Indian culture through music by Jerod Impichchaachaaha’ Tate\, a Chickasaw classical composer.  Spirit Chief Names the Animal People is the Okanogan Indian story of how Coyote retained his name\, given by the Great Spirit Chief. The music recorded is the orchestral version of the three powerful animals Bear\, Salmon and Eagle – along with Coyote. \n  \n  \n \n  \n Terra Nostra (Our Earth in Latin) is a 30-minute multimedia symphony about climate change composed by Christophe Chagnard\, and featuring documentary film by Charlie Spears. It was created to engage\, educate\, inspire\, and empower people to initiate personal and policy change to protect our Earth. \n  \n  \nTerra Nostra trailer:\n \n \nThe Great Lakes Cantata composed by Gwyneth Walker (GLCO composer-in-residence) is a musical journey across the magnificent five lakes (each represented by the five movements within the piece) bordering the Eastern US and Canada. Texts by American and Canadian poets have been selected as lyrics for this cantata. The journey moves from East (Lake Ontario) to West (Lake Superior)\, stopping to explore the unique character of each lake en route. \n  \nOut into the deep of the great dark world\,  \nBeyond the long borders where foam and drift  \nOf the sundering waves are lost and gone  \nOn the tides that plunge and rear and crumble. \n-excerpted Carl Sandberg lyrics\, representing Lake Michigan in the cantata \n  \n \n  \nGET TICKETS
URL:https://glcorchestra.org/concert/terranostra/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts,Fundraiser
ATTACH;FMTTYPE=image/png:https://glcorchestra.org/wp-content/uploads/2022/06/Terra-Nostra-poster-2.png
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230127T190000
DTEND;TZID=America/Detroit:20230127T200000
DTSTAMP:20260609T142531
CREATED:20221017T173219Z
LAST-MODIFIED:20230126T204918Z
UID:10000128-1674846000-1674849600@glcorchestra.org
SUMMARY:Legends & Mysteries: Shackleton's Incredible Journey
DESCRIPTION:Come learn and enjoy exploring Ernest Shackleton’s renowned leadership as illustrated by his incredible journey on the Endurance.\nAudiences are given an immersive musical experience as they watch the story of Shackleton unfold through the presentation of live video\, live theater\, and the exhilarating live orchestral music of Ludwig van Beethoven\, Henry Wood\, Nikolai Rimsky-Korsakov\, Felix Mendelssohn\, Claude Debussy\, Maurice Ravel\, Edvard Grieg\, Edward Elgar\, Ralph Vaughan Williams\, & Benjamin Britten.\nDon’t miss this performance that is sure to appeal to all ages.\n*This performance will also occur in the afternoon on the same date to a sold-out audience of 500 7th-9th grade students as part of the Great Lakes Center for the Arts NextGen program.\nGET TICKETS \n \n  \nLearn even more about this amazing performance and the history behind it by visiting our education page at glcorchestra.org/shackleton!\nThe 2023 feature of our “Legends & Mysteries” educational series focuses upon the gripping story of Ernest Shackleton’s Endurance voyage\, shipwreck\, and subsequent rescue mission. Shackleton was one of the principal figures in the age of Antarctic exploration and our story focuses on Shackleton’s amazing traits of leadership. In this heroic tale\, he brought all of his men back from 21 months of seemingly endless points of peril\, to survive against all odds. Musical selections from classical to 20th century orchestral masterpieces represent these leadership traits including a sense of purpose\, loyalty\, optimism\, flexibility\, ingenuity\, and responsibility. Audiences are given an immersive musical experience as they watch the story of Shackleton unfold through the series of scenes with both live actors on stage as well as original film footage captured by filmmaker and photographer Frank Hurley.  \nShackleton’s ship\, Endurance\, became trapped in the ice in January 1915 and remained stuck until October\, when the ice closed in and crushed it. Shackleton and his men then camped on the ice until April 1916 (for over a year!)\, when the floe broke up\, and they were forced to sail in three lifeboats to Elephant Island. Almost 500 days had passed since they had stood on dry land. At that point\, Shackleton and a few of his men made the 800-mile journey in a tiny boat\, the James Caird\, back to South Georgia\, where he got help and returned to Elephant Island to rescue his crew- and miraculously\, after nearly two years shipwrecked\, every single one of them had survived. \nThe Great Lakes Chamber Orchestra’s “Legends & Mysteries” educational concert series combines history\, music and so much more. The presentation of live video\, theater\, and exhilarating orchestral music truly illustrates associative learning by helping to connect ideas and experiences that will promote intellectual curiosity as the audience learns more about the music\, the history and the people who are involved in making both.
URL:https://glcorchestra.org/concert/legends-mysteries-shackletons-incredible-journey/2023-01-27/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts,Education
ATTACH;FMTTYPE=image/png:https://glcorchestra.org/wp-content/uploads/2022/10/Shackleton-GLCFA-thumbnail.png
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221216T190000
DTEND;TZID=America/Detroit:20221216T203000
DTSTAMP:20260609T142531
CREATED:20220610T153308Z
LAST-MODIFIED:20221129T204544Z
UID:10000125-1671217200-1671222600@glcorchestra.org
SUMMARY:Messiah- Annual Holiday Concert
DESCRIPTION:Per our decade long tradition\, the Great Lakes Chamber Orchestra will celebrate the holiday concert season with the performance of Handel’s masterpiece Messiah. The first half of the concert features the GLCO choir and soloists in Oratorio de Noel by Camille Saint-Saëns\, setting the mood for the Christmas story. Saint-Saëns’ Oratorio is an intimate work blending a number of musical styles—narrative recitatives\, folk-like melodies\, passionate operatic solo passages\, and simple choral writing. It was composed in 1858\, when the Church of the Madeleine in Paris commissioned Camille Saint-Saëns to write work for that year’s Christmas celebration. The concert concludes with the first and second sections of Handel’s famous oratorio Messiah\, ending with the celebratory and beloved Hallelujah chorus. \nClick below to hear the Hallelujah chorus section from 2019’s Messiah: \n \nGET TICKETS
URL:https://glcorchestra.org/concert/messiahholidayconcert/2022-12-16/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts,Fundraiser
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221215T190000
DTEND;TZID=America/Detroit:20221215T203000
DTSTAMP:20260609T142531
CREATED:20220610T153308Z
LAST-MODIFIED:20221129T204544Z
UID:10000124-1671130800-1671136200@glcorchestra.org
SUMMARY:Messiah- Annual Holiday Concert
DESCRIPTION:Per our decade long tradition\, the Great Lakes Chamber Orchestra will celebrate the holiday concert season with the performance of Handel’s masterpiece Messiah. The first half of the concert features the GLCO choir and soloists in Oratorio de Noel by Camille Saint-Saëns\, setting the mood for the Christmas story. Saint-Saëns’ Oratorio is an intimate work blending a number of musical styles—narrative recitatives\, folk-like melodies\, passionate operatic solo passages\, and simple choral writing. It was composed in 1858\, when the Church of the Madeleine in Paris commissioned Camille Saint-Saëns to write work for that year’s Christmas celebration. The concert concludes with the first and second sections of Handel’s famous oratorio Messiah\, ending with the celebratory and beloved Hallelujah chorus. \nClick below to hear the Hallelujah chorus section from 2019’s Messiah: \n \nGET TICKETS
URL:https://glcorchestra.org/concert/messiahholidayconcert/2022-12-15/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts,Fundraiser
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221105T190000
DTEND;TZID=America/Detroit:20221105T203000
DTSTAMP:20260609T142531
CREATED:20220610T152939Z
LAST-MODIFIED:20221025T195501Z
UID:10000123-1667674800-1667680200@glcorchestra.org
SUMMARY:Prague's Treasures
DESCRIPTION:https://glcorchestra.org/wp-content/uploads/2022/06/Libor-Ondras-Prague-Treasures-Promo.mp4\n  \nGET TICKETS \nThis concert combines works first performed\, commissioned by and dedicated to the capital of Bohemia.  Prague is known for its architecture\, the Charles Bridge\, churches and bell towers\, the castle that has been the residence of Bohemian kings for centuries\, culture\, music\, and so much more. We will bring you back to this magical city and let you experience what it was like to hear Mozart’s and Beethoven’s pieces for the first time. \nMozart must have loved his time in Prague\, where he finally received the recognition he felt he deserved but never quite achieved in the more staid\, aristocratic Vienna. His love affair with the Bohemian city began in January 1787\, a month or so after a production of his Le Nozze di Figaro\, which had had taken Prague by storm. Mozart brought with him on his visit the newly completed Symphony No. 38\, which he had written in the city’s honor\, and this too met with tremendous enthusiasm from the public and enjoyed repeated performances. He left with a commission in hand for another opera— one that would have its premiere in Prague. The new opera was to become Don Giovanni and was premiered in Prague’s Estate theatre on October 29\, 1787. The second half of the concert is dedicated to Beethoven’s Piano concerto No. 1. It is speculated that the concerto was performed in June 1796 at the Berlin court\, in December 1796 in a private concert for the cousins Romberg\, in 1798 at two concerts in Prague\, and April 2\, 1800 in the Burgtheater in Vienna. The Prague performance is the only one to have been confirmed without speculation. \n \nFor more information about featured piano soloist Lorenzo Marasso\, you can visit his website at lorenzomarasso.com.  \n  \nGET TICKETS \n  \n\nSpecial thanks to the Charlevoix County Community Foundation for sponsoring this performance
URL:https://glcorchestra.org/concert/pragues-treasures/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts,Fundraiser
ATTACH;FMTTYPE=image/png:https://glcorchestra.org/wp-content/uploads/2022/06/glco_posterConcertSeries2205v9_Prague.png
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DTSTART;TZID=America/Detroit:20220719T190000
DTEND;TZID=America/Detroit:20220719T210000
DTSTAMP:20260609T142531
CREATED:20220428T145547Z
LAST-MODIFIED:20220711T200002Z
UID:10000121-1658257200-1658264400@glcorchestra.org
SUMMARY:Rocking with the GLCO Pops - Featuring Rockapella
DESCRIPTION:Based in New York City\, Rockapella has become one of the world’s most sophisticated\, lasting\, and imitated vocal groups around today. Since the early ’90’s when they first achieved national television fame on PBS’s Where In The World Is Carmen Sandiego?\, they’ve toured the globe\, made guest appearances on Today Show\, The Tonight Show with Jay Leno\, and opened for acts such as Chuck Berry\, Styx\, and Billy Joel. \nRockapella began joining the Boston Pops on stage in the eastern US in 2006\, creating a concert experience that shows both the orchestra’s and Rockapella’s talents separately and together in a manner never done before: a cappella with instrumentation. \nYou’d be hard-pressed to find a more influential group out there in this new era of network television a cappella shows like NBC’s The Sing-Off\, movies like Pitch Perfect\, and innumerable college vocal groups that own the corner of cool on campuses everywhere. “People have a hard time believing it’s just us making all of that music. We make it rock and make it interesting\,” explains Scott Leonard\, the group’s chief songwriter and arranger. \n \n“I met Scott during my tenure at the University of Tampa some years ago. Scott is a UT alumnus and a former vocal student of a dear friend of mine who invited the group to perform. The guys were about to embark on their tour with Keith Lockhart and his Boston Pops Orchestra across cities in Midwest and Northeast. I was fascinated by the artistry of a pure human voice and the contagious energy the guys were able to create in the house”\, said Libor Ondras\, GLCO music director. “I had a great pleasure to work with the group a few years later in Grand Rapids and am thrilled to bring them back to our Northern Michigan audiences”\, continued Ondras. “You are in for a real treat.” \nAs one of the progenitors of the astonishing full-band sound of “contemporary” a cappella\, Rockapella has shown every audience the raw power of pure vocal talent and originality. “There’s nothing between us and the audience – it’s very human music – with nothing missing” says Rockapella’s human beatbox Jeff Thacher. \nThe current Rockapella line-up features Scott Leonard (High Tenor)\, Jeff Thacher (Vocal Percussionist)\, Calvin Jones (Tenor)\, Bryant Vance (Bass)\, and Jose Rodriguez (Tenor). \nHuapango …………………………………………………………………….… Jose Pablo Moncayo \nDanzon …………………………………………………..…………………………. Arturo Marquez \nHuapango\nJOSÉ PABLO MONCAYO\nBorn: June 29\, 1912\, Guadalajara\, Mexico Died: June 16\, 1958\, Mexico City\, Mexico\nComposed: 1940-41 Premiered: August 15\, 1941\, Symphony Orchestra of Mexico \n    José Moncayo was a composer\, percussionist and a conductor who in his short career wrote a couple of symphonies\, an opera\, and a ballet. \nIn 1941\, his mentor and friend Carlos Chávez asked Moncayo to write a piece based on the popular music of the Veracruz area on the Gulf of Mexico. Moncayo later recounted the trip to Alvarado\, one of the places where folkloric music was preserved in its most pure form\, collecting melodies\, rhythms and instrumentations for several days. \nThe huapango is a lively Mexican dance of Spanish origin performed by singers and instrumental ensembles ranging from a duo to a full mariachi band. It is characterized by a complex rhythmic structure mixing duple and triple meters which reflect the intricate steps of the dance. This folk dance was traditionally performed on a wooden platform\, and Moncayo makes fantastic use of the percussion to highlight the effect. \nThe opening of the piece gradually expands and finally reaches a loud\, ecstatic fortissimo by the entire orchestra\, repeating a vivacious\, festive dance-like rhythm. This introductory motif is then intertwined with two distinct\, singing themes played by solo trumpet. Halfway through the work\, the atmosphere suddenly relaxes into a more laid-back\, siesta-like waltz. \nA new theme is introduced culminating in a sweeping response from the entire orchestra. The mood is shattered as the horns erupt with a reinstatement of the opening fanfare and transition into a glorious duet between trombone and trumpet\, before the orchestra rushes into an exuberant coda\, ending the work with a bang. Colorfully orchestrated with an emphasis on instruments typical of the Veracruz style (trumpet\, harp\, and violins) and driven by the distinctive huapango rhythm\, Huapango has become an enduring classic. \nRhythmically\, the danzón is based on a repeated rhythmic pattern called a clavé one measure has three notes and the other two. It is often played on an instrument called a clavé\, consisting of two hardwood cylinders\, one striking the other. Couples dance the danzón in an upright posture\, strutting arm in arm with swaying steps. Ironically\, Cubans have nearly lost interest in their national dance. Without Mexican involvement\, it may have completely disappeared. Veracruz maintains a tradition of the danzón very close to the Cuban original. In Mexico City\, on the other hand\, it has evolved by taking elements of other dances. The danzón must not have become well known everywhere in Mexico\, however. Márquez was apparently not familiar with it until 1993. In 1994\, he composed the first three of eight danzóns. \nDanzon 2\nARTURO MARQUEZ\nBorn: December 20\, 1950 in Alamos\, Sonora\, Mexico \n    Arturo Márquez uses musical forms and styles of his native Mexico and incorporates them into his compositions. He was exposed to a variety of musical styles by his father\, a Mariachi musician\, and his grandfather\, a Mexican folk musician. He started composing at the age of 16 in a music conservatory in Mexico\, then continued his studies later as a Fulbright scholar in California. His Danzóns are the most widely-known compositions of his and are often used in ballet productions and symphonic concerts. \n    The Danzón No. 2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance\, to its nostalgic melodies\, to its wild rhythms\, and although it departs from its intimacy\, its form and its harmonic language\, it is a very personal way of paying respects and expressing emotions towards truly popular music. \nThe idea of writing the Danzón No. 2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez\, both of whom are experts in salon dances with a special passion for the danzón from the Veracruz region. Marquez started to learn the danzón’s rhythms\, its form\, its melodic outline\, and to listen to the old recordings by Acerina and his Danzonera Orchestra. He was fascinated by the lightness of the danzón\, its sensuality and seriousness\, which Mexican people continue to dance to with a touch of nostalgia. \nDanzón no. 2 begins with an extended legato melody played on clarinet\, accompanied by the clavé. The melody recurs throughout the piece in varied forms played by different instruments. Very soft sections often prepare for much louder music with frequent shifts in dynamics and changes in tempo. \n All program notes by Libor Ondras \nVeterans and students  under 18 enjoy complimentary tickets to Orchestra concerts. To arrange complimentary tickets\, please call 231-487-0010.
URL:https://glcorchestra.org/concert/rockapella/
LOCATION:Great Lakes Center for the Arts\, 800 Bay Harbor Dr.\, Petoskey\, Michigan\, 49770
CATEGORIES:Classical Music,Concerts
ATTACH;FMTTYPE=image/png:https://glcorchestra.org/wp-content/uploads/2022/04/Rockapella-Concert-Poster.png
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